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Mistero Buffo: The Collected Plays of Dario Fo, Volume 2, by Dario Fo, Ron Jenkins
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Mistero Buffo is Dario Fo’s one-man tour de force, in which he creates his own subversive version of Biblical stories. Infused with the rhythmic drive of a jazz improvisation, the immediacy of a newspaper headline, and the epic scope of a historical novel, Fo and his wife/collaborator Franca Rame have performed Mistero Buffo throughout the world to over 10 million people.
One of the major theatrical artists of the twentieth century, Italy’s Dario Fo was awarded the 1997 Nobel Prize in Literature.
Ron Jenkins’ translations of Dario Fo have been performed across the country. He is the theater department chair at Wesleyan University.
- Sales Rank: #1062794 in Books
- Brand: Brand: Theatre Communications Group
- Published on: 2005-12-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .50" w x 5.40" l, .60 pounds
- Binding: Paperback
- 192 pages
Features
- Used Book in Good Condition
About the Author
One of the major theatrical artists of the 20th century, Italy's Dario Fo, togther with Franca Rame, his wife and creative partner, have been creating a theatrical foray uniquely their own for more than fifty years. One of the world's most produced playwrights, Fo was awarded the 1997 Nobel Prize for Literature. Ron Jenkins holds a doctorate from Harvard and a masters in buffoonery from the Ringling Brothers Clown College. His translations of Dario Fo and Hoshua Sobol have been performed at theatres around the country. He is the author of Dario Fo and Franca Rame: Artful Laughter and is the chair and artistic director of the theatre department at Wesleyan University in Connecticut.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Irreverent, Playful and Imaginative Performance Pieces
By A Customer
"Mistero Buffo,"., alternatively titled "The Comic Mysteries," is a wonderful introduction to the irreverent, playful and imaginative world of Dario Fo, winner of the Nobel Prize for Literature in 1997. If "Mistero Buffo" has a shortcoming, it lies in the fact that it is merely a text and does not embody the vitality of Fo's imaginative work, which relies as much on performance as it does on literary content.
"Mistero Buffo" draws on the popular and comic tradition of the medieval mystery plays, as well as the tradition of the so-called "jongleur", or traveling comic and mime, whose performances provided a subversive counterpoint to the authority of Church, Monarchy and Lord. As the jongleur in Fo's piece, "The Birth of the Jongleur," reminds his audience: "I leap and pirouette, and make you laugh. I make fun of those in power, and I show you how puffed up and conceited are the bigshots who go around making wars in which we are the ones who get slaughtered. I reveal them for what they are. I pull out the plug, and . . . pssss . . .they deflate."
Written and originally performed by Fo himself, "Mistero Buffo" consists of a series of pieces involving mime, improvisation and performance art. The texts are fiercely anti-Church, anti-materialist and anti-authority, but they are written with a comic verve and playful sensibility that mark Dario Fo as a remarkably unique writer, director, and performer. Drawing on religious traditions, the pieces include Fo's modern take on Biblical stories entitled "Slaughter of the Innocents," "Marriage at Cana" and "Resurrection of Lazarus," as well as a series of short dialogues (entitled "Passion Plays") where Fo adumbrates the death of Christ as experienced by Mary. All of these pieces border on the blasphemous, subverting conventional pieties and unthinking reverence for established religion and replacing them with a kind of popular re-writing of Christianity, a revision which glorifies the common man at the expense of those in power. Not surprisingly, "Mistero Buffo," like most of Fo's texts and performances, is controversial and provocative. It is also, however, a short text worth reading for an insightful sampling of one of Italy's most remarkable literary and theatrical geniuses.
6 of 6 people found the following review helpful.
Irreverent, Playful and Imaginative Performance Pieces
By A Customer
"Mistero Buffo", alternatively titled "The Comic Mysteries", is a wonderful introduction to the irreverent, playful and imaginative world of Dario Fo, winner of the Nobel Prize for Literature in 1997. If "Mistero Buffo" has a shortcoming, it lies in the fact that it is merely a text and does not embody the vitality of Fo's imaginative work, which relies as much on performance as it does on literary content.
"Mistero Buffo" draws on the popular and comic tradition of the medieval mystery plays, as well as the tradition of the so-called "jongleur", or traveling comic and mime, whose performances provided a subversive counterpoint to the authority of Church, Monarchy and Lord. As the jongleur in Fo's piece, "The Birth of the Jongleur", reminds his audience: "I leap and pirouette, and make you laugh. I make fun of those in power, and I show you how puffed up and conceited are the bigshots who go around making wars in which we are the ones who get slaughtered. I reveal them for what they are. I pull out the plug, and . . . pssss . . .they deflate."
Written and originally performed by Fo himself, "Mistero Buffo" consists of a series of pieces involving mime, improvisation and performance art. The texts are fiercely anti-Church, anti-materialist and anti-authority, but they are written with a comic verve and playful sensibility that mark Dario Fo as a remarkably unique writer, director, and performer. Drawing on religious traditions, the pieces include Fo's modern take on Biblical stories entitled "Slaughter of the Innocents", "Marriage at Cana" and "Resurrection of Lazarus", as well as a series of short dialogues (entitled "Passion Plays") where Fo adumbrates the death of Christ as experienced by Mary. All of these pieces border on the blasphemous, subverting conventional pieties and unthinking reverence for established religion and replacing them with a kind of popular re-writing of Christianity, a revision which glorifies the common man at the expense of those in power. Not surprisingly, "Mistero Buffo", like most of Fo's texts and performances, is controversial and provocative. It is also, however, a short text worth reading for an insightful sampling of one of Italy's most remarkable literary and theatrical geniuses.
See all 2 customer reviews...
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